Thursday, September 19, 2013

big damn recap

I'm not going to individually post for everything I've read since February.  At this point, I'm pretty sure this page only exists as a personal log of what I've read (it's existed longer than Goodreads, and nobody tracks me here).  A gift of a nook for Christmas let me go through lots of books I downloaded from the library, and our new building has a little library in the basement.  Between those, and a couple real books, I've read:

All of Michael Connelly's novels published up to today.  Echo Park was my favorite.  Good characterization and dialogue.  The novels which do not fit into one of his series tend to be a bit weaker than the rest, but Harry Bosch is still the king of the Connelly version of LA.  Mickey Haller makes a good read, though his slippery ethics make me a little uncomfortable sometimes, but even he can't hold a candle to his half-brother the cop.  They have a combined story coming out this fall, The Gods of Guilt, and I look forward to it, but more for the detective than the somewhat shady defense attorney.  Haller's a fun character, but there's a pattern to all of his stories, while Bosch continues to get into new situations, with unique twists and clever plots.

The first two books in Sue Grafton's Alphabet series.  A little dated, but fun.  Made me wish more of her books were on the shelf downstairs.

I've caught up with Alan Bradley's Flavia De Luce series (the most recent to date being Speaking From Among The Bones).  Still entertaining, and he finally got to the twist I predicted in the first book, but I will have to wait until the next book (The Dead in Their Vaulted Arches), due out next year, for any resolution.

Craig Johnson continues to amaze me with Walt Longmire.  I've read up to the short story Divorce Horse, wedged into the series between Hell Is Empty and As The Crow Flies, and, as always, Johnson inspires and intimidates me.  As I read his books, I want to be able to write that well, and am constantly dogged by the feeling that I can't.  However, Divorce Horse was a little disappointing.  I'm glad I didn't spend any money on it.  Too much guessing is left in the resolution (even calling it a "resolution" feels like a sham), and it feels too much like what it is: table scraps thrown out to keep ravening fans busy until the book release.  I'm still two books (and a few short stories) behind in the series, but Steamboat Springs is due out next month.  If I play my cards right, I think I'll be ready for it when it gets here.

Lamb, by Christopher Moore, is just as clever, funny, ribald, and entertaining as everything else I've read by him.  I liked the new take on Jesus's youth (not being a religious person, I could tell there were several references I didn't get, but I was still pleased with the story and the references I did get), but I think the part that was most personally significant for me was the Author's Bio at the end, which assured me that Moore was a "late-blooming child prodigy" who published his first novel in his mid-thirties.  That's about where I am, so I feel a little better about my late start in writing.  Hopefully, I can get my book out to agents soon, and maybe I'll be a late-blooming child prodigy, too.

I think that's everything that matters.  I've also been re-reading The Hitchhiker's Guide to the Galaxy series on my nook, because sometimes I feel like reading, but I don't have a fresh book handy, and I've read that entire series so many times that I can dip in and out of it with aplomb, and not even care if I finish a chapter (though I usually do).

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posted by reyn at 9:35 AM

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Monday, June 11, 2012

sugar and spice and dead in a thrice

Title: The Sweetness at the Bottom of the Pie
Author: Alan Bradley
Bookmark: library receipt

Enter Flavia de Luce.  Youngest daughter of vanished (presumed dead) adventuress Harriet de Luce and British veteran Colonel de Luce, resident of the sprawling and storied Buckshaw Estate near Bishop's Lacey, England, expert in poisons, and chemical genius, aged eleven years.  Easily the most entertaining, engaging, and endearing protagonist I've met in a long time.  I want to hang out with Flavia.  Scratch that--I want to be smart enough to cope with hanging out with Flavia.  She still has a touch of youth's naivete, but for an eleven-year-old (or most adults), she's positively brilliant.

She is also, upon discovering a body in the family garden just in time to hear the dying word (and smell the suspiciously-odored dying breath), completely fascinated.  Who was the red-headed rogue, what was he doing arguing with her father in the study late the night before, and how did he come to be dying amid the cucumber patch?

At first motivated only by her youthful (and occasionally misguided) curiosity, and later by her father's incarceration, Flavia sets out to learn answers to all her questions encountering more along the way, and discovers a decades-old philatelic scandal that reaches all the way to King George himself.  Following her path, we are introduced to her home, the characters of her village ("Communicating with Ned was like exchanging cabled messages with a slow reader in Mongolia."), and her self-involved older sisters, Ophelia and Daphne.  Mrs. Mullet comes by to do the cooking at the estate, and Dogger, a faithful and battle-addled army buddy of the Colonel's, tends the gardens (occasionally taking an opportunity to teach Flavia useful skills, like picking locks).

Inspector Hewitt, meanwhile, pursues a parallel investigation, learning many--if not all--of the same secrets as our young heroine, and begrudges her intermittent interruptions into his work.

There are many good reasons that Bradley won a Debut Dagger Award, but the simplest is this: Flavia is amazing.  Add to that a colorful cast, delicious descriptions (see above, re: Ned), and a sweet, if sticky with death, narrative, and there's only one more thing to do: go get the next one.  Excuse me; my library beckons.

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posted by reyn at 10:35 AM

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Sunday, March 06, 2011

Detecting Murder by Poison

Title: The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York [find in a library]
Author: Deborah Blum

Pulitzer Prize-winning author, Deborah Blum, details the fascinating tale of the "birth of forensic medicine" in New York City in the 1920s. Each chapter is entitled with the name of a poison and describes various murders using the poison, the poison's effects, and how forensic medicine discovered the way to detect that poison in bodies during autopsy. Poisons covered include chloroform, methyl alcohol, carbon monoxide, cyanide, arsenic, radium, and many more.

The book also chronicles the development of the coroner's office in NYC into a far more scientific medical examiner's office. Prior to this time, the city coroner was an appointed position in which medical knowledge didn't always receive highest consideration. The lack of knowledge led to murder by poison being virtually unsolvable and frequently not even suspected. When pathologist Dr. Charles Norris was appointed Chief Medical Examiner, he quickly changed all that. He hired Alexander Gettler, a great chemist, to head the toxicology laboratory. Together, the two solved many murders by poison.

One of the things I found very interesting and horrifying was the government's attempts to stop people from drinking during Prohibition. Drinking actually increased during Prohibition with people frequently consuming poisonous alcohol, either methyl alcohol or denatured alcohol - a byproduct of industrial processes that had been purposely poisoned by businesses at the government's behest. Prior to Prohibition, it was already a requirement for businesses to poison the byproduct alcohol. However, when they realized that people were willing to take their chances with this poisoned alcohol and that bootleggers were employing chemists to remove as many toxins as possible from the alcohol, government officials concluded that "perhaps the best way to enforce Prohibition was to make alcohol so deadly that even the sellout chemists working for crime syndicates couldn't rescue it. If alcohol was truly undrinkable, the argument went, even the most devoted boozer would have to give it up" (p. 153). In effect, the government was actively mandating the murder of its citizens because everyone knew that people were still drinking a great deal.

All in all, a well-researched, well-written, fascinating book. I highly recommend it to anyone even slightly interested in the topic.

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posted by Kate at 4:01 PM

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Tuesday, October 14, 2008

tall tale

Ti: Little Giant of Aberdeen County
Pub: 01/08/09
bookmark: dog ear

'Little Giant' is getting a bit of buzz. I decided I wouldn't like it because it's biggest quote to date is from the author of 'Water for Elephants,' and while 'Water' was an interesting story, the book overall wasn't really for me. I feel almost exactly the same way about 'Little Giant.' The author tells a really interesting story with family and town history - but with about 10 more adjectives per page than maybe she really needed. There are aspects of the story that edge into the surreal, or a fairy tale world - reminds me a little bit of the floaty feeling in the movie (and book, technically) 'Big Fish.' So the writer's style is not so much for me, but I did like the story.

Truly, a giantess, is cast out on her own pretty early in life, and later gets sucked a bit against her will into the world of the most well-known family in town, several generations of town doctors all named Robert Morgan. The original Robert Morgan who came to town married the town 'witch,' who hid her healing secrets in a really cool way that Truly eventually discovers and uses to like, further the plot.

I would put this in the same category as 'Water for Elephants' (that jacket quote really will do a lot for this book) or 'Monsters of Templeton' - one book that made me say 'eh' and one that I LOVED - so, I'm picky about my ethereal flashback life history novels. 'Little Giant' falls somewhere between these two books, for me.

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posted by ~e at 10:18 PM

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